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— and it hinges on an unlikely friendship that could only exist inside the movies. It’s the most Besson thing that is, was, or ever will be, and it also happens being the best.
The characters that power so much of what we think of as “the movies” are characters that Select it. Dramatizing someone who doesn’t Choose It's really a much harder question, more typically the province of the novel than cinema. But Martin Scorsese was up for the challenge in adapting Edith Wharton’s 1920 novel, which features a character who’s just that: Newland Archer (Daniel Working day-Lewis), on the list of young lions of 1870s New York City’s elite, is in love with the Countess Olenska (Michelle Pfeiffer), who’s still married to another man and finding it tricky to extricate herself.
Yang’s typically set still unfussy gaze watches the events unfold across the backdrop of fifties and early-‘60s Taipei, a time of encroaching democratic reform when Taiwan still remained under martial legislation along with the shadow of Chinese Communism looms over all. The currents of Si’r’s soul — sullied by gang life but also stirred by a romance with Ming, the girlfriend of one of its useless leaders — feel nationwide in scale.
Other fissures emerge along the family’s fault lines from there because the legends and superstitions of their previous once again become as viscerally powerful and alive as their hard love for each other. —RD
This stunning musical biopic of music and vogue icon Elton John is among our favorites. They Really don't shy away from showing gay sex like many other similar films, and the songs and performances are all top rated notch.
Montenegro became the first — and still only — Brazilian actor to become nominated for an Academy Award, and Salles’ two-hander reaches the sublime because de Oliveira, twinks begging for daddy gay sex and boy with machines at his young age, summoned a powerful concoction of mixed emotions. Profoundly touching nevertheless never saccharine, Salles’ breakthrough ends with a fitting testament to The reasoning that some memories never fade, even as our indifferent world continues to spin forward. —CA
In the films of David Fincher, everybody needs a foil. His movies generally boil down towards the elastic push-and-pull between diametrically opposed characters who reveal themselves through the tension of whatever ties them together.
“Acknowledge it isn’t all hot naked women cool calculation with you – that you’ve bought a heart – even if it’s small and feeble and you may’t remember the last time you used it,” Marcia Gay Harden’s femme fatale demands of protagonist Tom Reagan (Gabriel Byrne). And for all its steely violence, this film features a heart as well.
Tarr has never been an overtly political filmmaker (“Politics makes everything far too uncomplicated and primitive for me,” he told IndieWire in 2019, insisting that he was more interested in “social instability” and “poor people who never experienced a chance”), but revisiting the hypnotic “Sátántangó” now that Hungary is during the thrall of another authoritarian leader demonstrates both the thumbzilla recursive arc of current history, as well as the full power of Tarr’s sinister parable.
this fantastical take on Elton John’s story doesn’t straight-wash its subject’s sex life. Pair it with 1998’s Velvet Goldmine
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Lenny’s friend Mace (a kick-ass Angela Bassett) believes they should expose the footage while in the hopes of enacting real alter.
The Palme d’Or winner is now such an approved classic, such a part in the canon that we forget how radical it absolutely was in 1994: a work of such style and slickness it gained over even the Academy, earning seven Oscar nominations… for just a movie featuring loving monologues about fast food, “Kung Fu,” and Christopher Walken keeping a beloved heirloom watch up his ass.
The film offers on the list of most enigmatic titles from the ten years, the Peculiar, sonorous juxtaposition of those two words almost always presented inside the original French. It could be browse as “beautiful work” in English — but porntrex the thought of describing work as “beautiful” is somehow dismissive, as When the legionnaires’ highly choreographed routines and domestic tasks are more of a performance than part of an advanced military technique.